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by
Gustaf Sobin (Author)
Interpreting vestige with the eloquence of a poet and the knowledge of a field archaeologist, Gustaf Sobin explores his elected terrain: the landscapes of Provence and Languedoc. Drawing on prehistory, protohistory, and Gallo-Roman antiquity, the twenty-six essays in this book focus on a particular place or artifact for the relevance inherent in each. A Bronze Age earring or the rippling wave pattern in Massiolite ceramic are more than archival curiosities for Sobin. Instead they invite inquiry and speculation on existence itself: Artifacts are read as realia, and history as an uninterrupted sequence of object lessons.
As much travel writing as meditative discourse, Luminous Debris is enhanced by a prose that tracks, questions, and reflects on the materials invoked. Sobin engages the reader with precise s of those very materials and the messages to be gleaned from their examination, be they existential, ethical, or political.
An American expatriate living in Provence for the past thirty-five years, Gustaf Sobin shares his enthusiasm for his adopted landscape and for a vertical interpretation of its strata. In Luminous Debris he creates meaning out of matter and celebrates instances of reality, past and present.
Front Jacket
A wonderful, addictive book. Gustaf Sobin’s prose combines descriptive precision with evocative power, calling to mind the poetic-scholarly writing of Barthes or Bachelard. As he records and links the scattered fragments, some infinitesimal, of a regional past, Sobin offers wonder, regret, and often a sharp critique of contemporary society.–James Clifford, author of Routes: Travel and Translation in the Late 20th Century
Author Biography
Gustaf Sobin’s books include Voyaging Portraits (1988), Venus Blue: A Novel (1991), Breaths’ Burials (1995), By the Bias of Sound (1996), and Towards the Blanched Alphabets (1998). A novel, The Fly-Truffler, set in Provence, is forthcoming this year.
Number of Pages: 256Dimensions: 0.73 x 8.02 x 6 INPublication Date: January 11, 2000
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